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International Digital Observatory
WHY AN OBSERVATORY ?

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A Philosophical Observatory of the Digital

     Even if we would watch obsessively the web, it would be ingenuous to believe that such a digital Observatory could run behind all fast changes which are announced daily, all important international conventions, all new social uses and commercial successes, all democratic challenges, all digital arts festivals or exhibitions. Such an encyclopaedic task would just sound utopia, and would request human and financial resources which would also be utopia. Even worse, we would take the risk to get lost in such an accumulation of details and blind to the most significant trends.
     We have made a better choice: a philosophical watch of the main evolutions of the digital era, industries and cultures, which computing experts and technology managers are not in an easy position to analyse with a critical distance, being inevitably fascinated by the sole technological logics. Even Polytechnics High School in Montreal, which counts plenty of programmers and engineers, has paradoxically recruited two philosophers likely to identify and analyse digital imaginaries, new social uses and emergent trends. This global approach, which takes in account sociological, psychological, ideological and cultural parameters, may sound most difficult in a fast changing environment, but it is therefore what we most lack.
Meteorology is not limited to take notice daily and locally of rains or winds. Its main aim is to understand the large tendencies and forecast the changes to come in a larger term. But meteorology limits itself to factual understanding, whereas philosophy of the digital doesn’t limit itself to technologies. It takes also in account another parameter, far more complex:  human behaviours and values in interaction with technological evolutions.

Hervé Fischer

Context


New media is continually evolving on the local scene as well at the international level. Updating the knowledge of its evolution and innovations, which constantly emerge and in all its fields of activity, has now become a need impossible to circumvent for all those who do research and creation in this field, from the point of view of both the arts and cultural industries as well as of the aesthetic, sociological, and technological stakes. These stakes are connected not only to the arts and the digital communication technologies, but also with the problematic of art and science. In the field of digital new media, Montreal currently enjoys a recognized international positioning, particularly in digital cinema and video games, but it must be consolidated and widened.

This International Digital Observatory will consolidate individually existing international collaboration initiatives that are dispersed, but which will gain by being joined together. Moreover it will develop collaborations between Canadian researchers with equivalent centers throughout the world, thus creating a showcase for our researches and creations.
 
 

    RESEARCH FIELDS
Arts
Performing Arts
Cinéma
Commercialisation
Communications
Culture
Design
Ecology of Media
Education
Empowerment
Environnements
Ethics
Hypersensibility
Hyperweb
Computing
Intelligence
Digital Imaging
Interactivity
Video Games
Music
Research
Society
Technology
Television
Intelligent Textiles
Theories

 

  ©Observatoire international des nouveaux médias